Referència de la notació del GNU LilyPond: 1.1 Altures

Transposició modal · Hiding accidentals on tied notes at the start of a new system

{
  \clef bass
  c4 d e f
  g4 a b c
  d4 e f g
}

{
  \clef treble
  c'4 e' g' c''
  c'4 g b c'
  \clef bass
  c,4 e, g, c
  c,4 g,, b,, c,
}

{
  \fixed c' {
    \clef treble
    c4 e g c'
    c4 g, b, c
  }
  \clef bass
  \fixed c, {
    c4 e g c'
    c4 g, b, c
  }
}

\relative altura_inicial expressió_musical

\relative {
  \clef bass
  c d e f
  g a b c
  d e f g
}

\relative {
  c'' g c f,
  c' a, e'' c
}

\relative {
  c f b e
  a d g c
}

\relative {
  c' d e f
  \relative {
    c'' d e f
  }
}

\new Staff {
  \relative c''' {
    \chordmode { c1 }
  }
  \chordmode { c1 }
}

\relative {
  d' e
  \transpose f g {
    d e
    \relative {
      d' e
    }
  }
}

\relative {
  c'
  <c e g>
  <c' e g'>
  <c, e, g''>
}

\relative {
  c''2 fis
  c2 ges
  b2 eisis
  b2 feses
}

\relative c'' { ais1 aes aisis aeses }

\relative c'' { a4 aes a2 }

\relative c'' { ceseh1 ces ceh c cih cis cisih }

\relative c'' { cis cis cis! cis? c c c! c? }

\relative c'' {
  cis1~ 1~
  \break
  cis
}

\relative c'' {
  \override Accidental.hide-tied-accidental-after-break = ##t
  cis1~ cis~
  \break
  cis
}

\relative c'' {
  aeses4 aes ais a
  \set Staff.extraNatural = ##f
  aeses4 aes ais a
}

\language "italiano"

\relative {
  do' re mi sib
}

\relative c'' { a2 as e es a ases e eses }

scm/define-note-names.scm
\relative {
  c''2 d='4 d
  e2 f
}

\relative {
  c''2 d
  \octaveCheck c'
  e2 f
}

\relative {
  c''4 f g f

  c4
  \octaveCheck c'
  f
  \octaveCheck c'
  g
  \octaveCheck c'
  f
}

\transpose nota_origen nota_destí expressió_musical

\transpose d e {
  \relative {
    \key d \major
    d'4 fis a d
  }
}

\transpose a c' {
  \relative {
    \key c \major
    c'4 d e g
  }
}

music = \relative { c' d e f }
\new Staff {
  \transpose c cis { \music }
  \transpose c des { \music }
}

musicaEnSiBemol = { e4 … }
\transpose c bes, \musicaEnSiBemol

musicaEnSiBemol = { e4 … }
\transpose f c' { \transpose c bes, \musicaEnSiBemol }

#(define (naturalize-pitch p)
   (let ((o (ly:pitch-octave p))
         (a (* 4 (ly:pitch-alteration p)))
         ;; alteration, a, in quarter tone steps,
         ;; for historical reasons
         (n (ly:pitch-notename p)))
     (cond
      ((and (> a 1) (or (eqv? n 6) (eqv? n 2)))
       (set! a (- a 2))
       (set! n (+ n 1)))
      ((and (< a -1) (or (eqv? n 0) (eqv? n 3)))
       (set! a (+ a 2))
       (set! n (- n 1))))
     (cond
      ((> a 2) (set! a (- a 4)) (set! n (+ n 1)))
      ((< a -2) (set! a (+ a 4)) (set! n (- n 1))))
     (if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
     (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
     (ly:make-pitch o n (/ a 4))))

#(define (naturalize music)
   (let ((es (ly:music-property music 'elements))
         (e (ly:music-property music 'element))
         (p (ly:music-property music 'pitch)))
     (if (pair? es)
         (ly:music-set-property!
          music 'elements
          (map naturalize es)))
     (if (ly:music? e)
         (ly:music-set-property!
          music 'element
          (naturalize e)))
     (if (ly:pitch? p)
         (begin
           (set! p (naturalize-pitch p))
           (ly:music-set-property! music 'pitch p)))
     music))

naturalizeMusic =
#(define-music-function (m)
   (ly:music?)
   (naturalize m))

music = \relative c' { c4 d e g }

\score {
  \new Staff {
    \transpose c ais { \music }
    \naturalizeMusic \transpose c ais { \music }
    \transpose c deses { \music }
    \naturalizeMusic \transpose c deses { \music }
  }
  \layout { }
}

\inversion nota_pivot nota_destí expressió_musical

music = \relative { c' d e f }
\new Staff {
  \music
  \inversion d' d' \music
  \inversion d' ees' \music
}

music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }

\new Staff {
  \music
  \retrograde \music
}

\modalTranspose nota_origen nota_destí escala motiu

diatonicScale = \relative { c' d e f g a b }
motif = \relative { c'8 d e f g a b c }

\new Staff {
  \motif
  \modalTranspose c f \diatonicScale \motif
  \modalTranspose c b, \diatonicScale \motif
}

pentatonicScale = \relative { ges aes bes des ees }
motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }

\new Staff {
  \motif
  \modalTranspose ges ees' \pentatonicScale \motif
}

chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
motif = \relative { c'8 d e f g a b c }

\new Staff {
  \motif
  \transpose c f \motif
  \modalTranspose c f \chromaticScale \motif
}

\modalInversion nota-pivote nota-destino escala motivo

octatonicScale = \relative { ees' f fis gis a b c d }
motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }

\new Staff {
  \motif
  \modalInversion fis' fis' \octatonicScale \motif
}

scale = \relative { c' g' }
motive = \relative { c' c g' c, }

\new Staff {
  \motive
  \modalInversion c' g' \scale \motive
}

octatonicScale = \relative { ees' f fis gis a b c d }
motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }

\new Staff {
  \motif
  \retrograde \modalInversion c' c' \octatonicScale \motif
}

c'2 c'

\clef treble
c'2 c'
\clef alto
c'2 c'
\clef tenor
c'2 c'
\clef bass
c'2 c'

\clef treble
c'2 c'
\clef "treble_8"
c'2 c'
\clef "bass^15"
c'2 c'
\clef "alto_2"
c'2 c'
\clef "G_8"
c'2 c'
\clef "F^5"
c'2 c'

\clef "treble_(8)"
c'2 c'
\clef "bass^[15]"
c'2 c'

\clef treble { c'2 c' } \break
\clef bass { c'2 c' } \break
\clef alto
  \set Staff.explicitClefVisibility = #end-of-line-invisible
  { c'2 c' } \break
  \unset Staff.explicitClefVisibility
\clef bass { c'2 c' } \break

  \clef treble
  c'1
  \clef treble
  c'1
  \set Staff.forceClef = ##t
  c'1
  \clef treble
  c'1

  \clef "treble"
  c'1
  \clef "bass"
  c'1
  \clef "treble"
  c'1
  \override Staff.Clef.full-size-change = ##t
  \clef "bass"
  c'1
  \clef "treble"
  c'1
  \revert Staff.Clef.full-size-change
  \clef "bass"
  c'1
  \clef "treble"
  c'1

{
  % The default treble clef
  \key f \major
  c'1
  % The standard bass clef
  \set Staff.clefGlyph = #"clefs.F"
  \set Staff.clefPosition = #2
  \set Staff.middleCPosition = #6
  \set Staff.middleCClefPosition = #6
  \key g \major
  c'1
  % The baritone clef
  \set Staff.clefGlyph = #"clefs.C"
  \set Staff.clefPosition = #4
  \set Staff.middleCPosition = #4
  \set Staff.middleCClefPosition = #4
  \key f \major
  c'1
  % The standard choral tenor clef
  \set Staff.clefGlyph = #"clefs.G"
  \set Staff.clefPosition = #-2
  \set Staff.clefTransposition = #-7
  \set Staff.middleCPosition = #1
  \set Staff.middleCClefPosition = #1
  \key f \major
  c'1
  % A non-standard clef
  \set Staff.clefPosition = #0
  \set Staff.clefTransposition = #0
  \set Staff.middleCPosition = #-4
  \set Staff.middleCClefPosition = #-4
  \key g \major
  c'1 \break

  % The following clef changes do not preserve
  % the normal relationship between notes, key signatures
  % and clefs:

  \set Staff.clefGlyph = #"clefs.F"
  \set Staff.clefPosition = #2
  c'1
  \set Staff.clefGlyph = #"clefs.G"
  c'1
  \set Staff.clefGlyph = #"clefs.C"
  c'1
  \set Staff.clefTransposition = #7
  c'1
  \set Staff.clefTransposition = #0
  \set Staff.clefPosition = #0
  c'1

  % Return to the normal clef:

  \set Staff.middleCPosition = #0
  c'1
}

scm/parser-clef.scm
\new Staff \with {
  \override Clef.color = #blue
  \override ClefModifier.color = #red
}

\clef "treble_8" c'4

\key nota modo

\relative {
  \key g \major
  fis''1
  f
  fis
}

freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
    (3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))

\relative {
  \key c \freygish c'4 des e f
  \bar "||" \key d \freygish d es fis g
}

\override Staff.KeySignature.flat-positions = #'((-5 . 5))
\override Staff.KeyCancellation.flat-positions = #'((-5 . 5))
\clef bass \key es \major es g bes d'
\clef treble \bar "||" \key es \major es' g' bes' d''

\override Staff.KeySignature.sharp-positions = #'(2)
\bar "||" \key b \major b' fis' b'2

\relative c' {
  \key d \major
  a4 b cis d
  \key g \minor
  a4 bes c d
  \set Staff.printKeyCancellation = ##f
  \key d \major
  a4 b cis d
  \key g \minor
  a4 bes c d
}

\include "arabic.ly"
\relative do' {
  \set Staff.keyAlterations = #`((0 . ,SEMI-FLAT)
                                 (1 . ,SEMI-FLAT)
                                 (2 . ,FLAT)
                                 (5 . ,FLAT)
                                 (6 . ,SEMI-FLAT))
%\set Staff.extraNatural = ##f
  re reb \dwn reb resd
  dod dob dosd \dwn dob |
  dobsb dodsd do do |
}

\relative a' {
  a2 b
  \ottava #-2
  a2 b
  \ottava #-1
  a2 b
  \ottava #0
  a2 b
  \ottava #1
  a2 b
  \ottava #2
  a2 b
}

{
  c'2
  \ottava #1
  \set Staff.ottavation = #"8"
  c''2
  \ottava #0
  c'1
  \ottava #1
  \set Staff.ottavation = #"Text"
  c''1
}

{
  \clef bass
  << { <g d'>1~ q2 <c' e'> }
  \\
    {
      r2.
      \set Staff.ottavation = #"8vb"
      \once \override Staff.OttavaBracket.direction = #DOWN
      \set Voice.middleCPosition = #(+ 6 7)
      <b,,, b,,>4 ~ |
      q2
      \unset Staff.ottavation
      \unset Voice.middleCPosition
      <c e>2
    }
  >>
}

\relative c'' {
  \override Staff.OttavaBracket.stencil = #ly:line-spanner::print
  \override Staff.OttavaBracket.bound-details =
    #`((left . ((Y . 0) ; Change the integer here
                (attach-dir . ,LEFT)
                (padding . 0)
                (stencil-align-dir-y . ,CENTER)))
       (right . ((Y . 5) ; Change the integer here
                 (padding . 0)
                 (attach-dir . ,RIGHT)
                 (text . ,(make-draw-dashed-line-markup (cons 0 -1.2))))))
  \override Staff.OttavaBracket.left-bound-info =
     #ly:line-spanner::calc-left-bound-info-and-text
  \override Staff.OttavaBracket.right-bound-info =
     #ly:line-spanner::calc-right-bound-info
  \ottava #1
  c1
  c'''1
}

\transposition pitch

\new GrandStaff <<
  \new Staff = "violin" {
    \relative c'' {
      \set Staff.instrumentName = "Vln"
      \set Staff.midiInstrument = "violin"
      % no estrictament necessari, però un bon recordatori
      \transposition c'

      \key c \major
      g4( c8) r c r c4
    }
  }
  \new Staff = "clarinet" {
    \relative c'' {
      \set Staff.instrumentName = \markup { Cl (B\flat) }
      \set Staff.midiInstrument = "clarinet"
      \transposition bes

      \key d \major
      a4( d8) r d r d4
    }
  }
>>

flute = \relative c'' {
  \key f \major
  \cueDuring "clarinet" #DOWN {
    R1 _\markup\tiny "clarinet"
    c4 f e d
    R1 _\markup\tiny "clarinet"
  }
}
clarinet = \relative c'' {
  \key aes \major
  \transposition a
  aes4 bes c des
  R1^\markup { muta in B\flat }
  \key g \major
  \transposition bes
  d2 g,
}
\addQuote "clarinet" \clarinet
<<
  \new Staff \with { instrumentName = "Flute" }
    \flute
  \new Staff \with { instrumentName = "Cl (A)" }
    \clarinet
>>

\new Staff <<
  \accidentalStyle voice
  { … }
>>

\accidentalStyle StaffGroup.voice

musicA = {
  <<
    \relative {
      cis''8 fis, bes4 <a cis>8 f bis4 |
      cis2. <c, g'>4 |
    }
    \\
    \relative {
      ais'2 cis, |
      fis8 b a4 cis2 |
    }
  >>
}

musicB = {
  \clef bass
  \new Voice {
    \voiceTwo \relative {
      <fis a cis>8[ <fis a cis>
      \change Staff = up
      cis' cis
      \change Staff = down
      <fis, a> <fis a>]
      \showStaffSwitch
      \change Staff = up
      dis'4 |
      \change Staff = down
      <fis, a cis>4 gis <f a d>2 |
    }
  }
}

\new PianoStaff {
  <<
    \context Staff = "up" {
      \accidentalStyle default
      \musicA
    }
    \context Staff = "down" {
      \accidentalStyle default
      \musicB
    }
  >>
}

\new PianoStaff {
  <<
    \context Staff = "up" {
      %%% canvieu la línia següent com desitgeu:
      \accidentalStyle Score.default
      \musicA
    }
    \context Staff = "down" {
      \musicB
    }
  >>
}

forget = #(define-music-function (music) (ly:music?) #{
  \accidentalStyle forget
  #music
  \accidentalStyle modern
#})
{
  \accidentalStyle modern
  \time 2/4
  \repeat volta 2 {
    c'2
  }
  \alternative {
     cis'
     \forget c'
  }
}

\layout {
  \context {
    \Voice
    \consists "Ambitus_engraver"
  }
}

\relative {
  aes' c e2
  cis,1
}

\new Staff <<
  \new Voice \with {
    \consists "Ambitus_engraver"
  } \relative c'' {
    \override Ambitus.X-offset = #2.0
    \voiceOne
    c4 a d e
    f1
  }
  \new Voice \with {
    \consists "Ambitus_engraver"
  } \relative c' {
    \voiceTwo
    es4 f g as
    b1
  }
>>

\new Staff \with {
  \consists "Ambitus_engraver"
  }
<<
  \new Voice \relative c'' {
    \voiceOne
    c4 a d e
    f1
  }
  \new Voice \relative c' {
    \voiceTwo
    es4 f g as
    b1
  }
>>

\layout {
  \context {
    \Voice
    \consists "Ambitus_engraver"
  }
}

\new Staff {
  \time 2/4
  % Default setting
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = #0
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = #1
  c'4 g''
}

\new Staff {
  \time 2/4
  \override AmbitusLine.gap = #1.5
  c'4 g''
}

\relative c'' {
  c4 b
  \override NoteHead.style = #'cross
  c4 b
  \revert NoteHead.style
  a b
  \override NoteHead.style = #'harmonic
  a b
  \revert NoteHead.style
  c4 d e f
}

\relative {
  c''4 b
  \xNotesOn
   a b c4 b
  \xNotesOff
  c4 d
}

\relative {
  c''4 b
  \xNote { e f }
  c b < g \xNote c f > b
}

\relative c'' {
  <c f\harmonic>2 <d a'\harmonic>4 <c g'\harmonic> f\harmonic
}

#(set-global-staff-size 26)
\relative c' {
  \easyHeadsOn
  c2 e4 f
  g1
  \easyHeadsOff
  c,1
}

#(define Ez_numbers_engraver
   (make-engraver
    (acknowledgers
     ((note-head-interface engraver grob source-engraver)
      (let* ((context (ly:translator-context engraver))
	     (tonic-pitch (ly:context-property context 'tonic))
	     (tonic-name (ly:pitch-notename tonic-pitch))
	     (grob-pitch
	      (ly:event-property (event-cause grob) 'pitch))
	     (grob-name (ly:pitch-notename grob-pitch))
	     (delta (modulo (- grob-name tonic-name) 7))
	     (note-names
	      (make-vector 7 (number->string (1+ delta)))))
	(ly:grob-set-property! grob 'note-names note-names))))))

#(set-global-staff-size 26)

\layout {
  ragged-right = ##t
  \context {
    \Voice
    \consists \Ez_numbers_engraver
  }
}

\relative c' {
  \easyHeadsOn
  c4 d e f
  g4 a b c \break

  \key a \major
  a,4 b cis d
  e4 fis gis a \break

  \key d \dorian
  d,4 e f g
  a4 b c d
}

\relative c'' {
  \aikenHeads
  c, d e f g2 a b1 c \break
  \sacredHarpHeads
  c,4 d e f g2 a b1 c \break
  \southernHarmonyHeads
  c,4 d e f g2 a b1 c \break
  \funkHeads
  c,4 d e f g2 a b1 c \break
  \walkerHeads
  c,4 d e f g2 a b1 c \break
}

\relative c'' {
  \key a \minor
  \aikenHeads
  a b c d e2 f g1 a \break
  \aikenHeadsMinor
  a,4 b c d e2 f g1 a \break
  \sacredHarpHeadsMinor
  a,2 b c d \break
  \southernHarmonyHeadsMinor
  a2 b c d \break
  \funkHeadsMinor
  a2 b c d \break
  \walkerHeadsMinor
  a2 b c d \break
}

fragment = {
  \key c \major
  c2 d
  e2 f
  g2 a
  b2 c
}

\new Staff {
  \transpose c d
  \relative c' {
    \set shapeNoteStyles = ##(do re mi fa
                               #f la ti)
    \fragment
  }

  \break

  \relative c' {
    \set shapeNoteStyles = ##(cross triangle fa #f
                               mensural xcircle diamond)
    \fragment
  }
}

\new Voice \with {
  \consists "Pitch_squash_engraver"
} \relative {
  e''8 e g a a16( bes) a8 g
  \improvisationOn
  e8 ~
  2 ~ 8 f4 f8 ~
  2
  \improvisationOff
  a16( bes) a8 g e
}

1.1.1 Escriptura de notes
1.1.2 Modificació de diverses notes a l’hora
1.1.3 Impressió de les altures
1.1.4 Cap de les notes

Escriptura d’octava absoluta
Escriptura d’octava relativa
Alteracions accidentals
Noms de les notes en altres llengües

Llengua	Nom de les notes
`nederlands`	`c` `d` `e` `f` `g` `a` `bes` `b`
`català` o `catalan`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`deutsch`	`c` `d` `e` `f` `g` `a` `b` `h`
`english`	`c` `d` `e` `f` `g` `a` `bf`/`b-flat` `b`
`español` o `espanol`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`français`	`do` `ré`/`re` `mi` `fa` `sol` `la` `sib` `si`
`italiano`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`norsk`	`c` `d` `e` `f` `g` `a` `b` `h`
`português` o `portugues`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`
`suomi`	`c` `d` `e` `f` `g` `a` `b` `h`
`svenska`	`c` `d` `e` `f` `g` `a` `b` `h`
`vlaams`	`do` `re` `mi` `fa` `sol` `la` `sib` `si`

Llengua	sostingut	bemoll	doble sostingut	doble bemoll
`nederlands`	`is`	`es`	`isis`	`eses`
`català` o `catalan`	`d`/`s`	`b`	`dd`/`ss`	`bb`
`deutsch`	`is`	`es`	`isis`	`eses`
`english`	`s`/`-sharp`	`f`/`-flat`	`ss`/`x`/`-sharpsharp`	`ff`/`-flatflat`
`español` o `espanol`	`s`	`b`	`ss`/`x`	`bb`
`français`	`d`	`b`	`dd`/`x`	`bb`
`italiano`	`d`	`b`	`dd`	`bb`
`norsk`	`iss`/`is`	`ess`/`es`	`ississ`/`isis`	`essess`/`eses`
`português` o `portugues`	`s`	`b`	`ss`	`bb`
`suomi`	`is`	`es`	`isis`	`eses`
`svenska`	`iss`	`ess`	`ississ`	`essess`
`vlaams`	`k`	`b`	`kk`	`bb`

Llengua	semi-sostingut	semi-bemoll	sesqui-sostingut	sesqui-bemoll
`nederlands`	`ih`	`eh`	`isih`	`eseh`
`català` o `catalan`	`qd`/`qs`	`qb`	`tqd`/`tqs`	`tqb`
`deutsch`	`ih`	`eh`	`isih`	`eseh`
`english`	`qs`	`qf`	`tqs`	`tqf`
`español` o `espanol`	`cs`	`cb`	`tcs`	`tcb`
`français`	`sd`	`sb`	`dsd`	`bsb`
`italiano`	`sd`	`sb`	`dsd`	`bsb`
`norsk`	`ih`	`eh`	`issih`/`isih`	`esseh`/`eseh`
`português` o `portugues`	`sqt`	`bqt`	`stqt`	`btqt`
`suomi`	`ih`	`eh`	`isih`	`eseh`
`svenska`	`ih`	`eh`	`issih`	`esseh`
`vlaams`	`hk`	`hb`	`khk`	`bhb`

Comprovació d’octava
Transposició
Inversió
Retrogradació
Transformacions modals

Clau
Armadura de la tonalitat
Indicadors d’octava
Transposició dels instruments
Alteracions accidentals automàtiques
Tessitura

Caps de nota especials
Caps de notes de Notació Fàcil
Caps de notes amb formes diverses
Improvisació

1.1 Altures

1.1.1 Escriptura de notes

Escriptura d’octava absoluta

Vegeu també

Escriptura d’octava relativa

Vegeu també

Alteracions accidentals

Fragments de codi seleccionats

Vegeu també

Advertiments i problemes coneguts

Noms de les notes en altres llengües

Vegeu també

1.1.2 Modificació de diverses notes a l’hora

Comprovació d’octava

Vegeu també

Transposició

Fragments de codi seleccionats

Vegeu també

Advertiments i problemes coneguts

Inversió

Vegeu també

Retrogradació

Advertiments i problemes coneguts

Vegeu també

Transformacions modals

Transposició modal

Inversió modal

Vegeu també

1.1.3 Impressió de les altures

Clau

Fragments de codi seleccionats

Vegeu també

Advertiments i problemes coneguts

Armadura de la tonalitat

Fragments de codi seleccionats

Vegeu també

Indicadors d’octava

Fragments de codi seleccionats

Vegeu també

Transposició dels instruments

Vegeu també

Alteracions accidentals automàtiques

Vegeu també

Advertiments i problemes coneguts

Tessitura

Fragments de codi seleccionats

Vegeu també

Advertiments i problemes coneguts

1.1.4 Cap de les notes

Caps de nota especials

Instruccions predefinides

Vegeu també

Caps de notes de Notació Fàcil

Instruccions predefinides

Fragments de codi seleccionats

Vegeu també

Caps de notes amb formes diverses

Instruccions predefinides

Fragments de codi seleccionats

Vegeu també

Improvisació

Instruccions predefinides

Vegeu també