2.4.2 Guitar
Most of the notational issues associated with guitar music are covered sufficiently in the general fretted strings section, but there are a few more worth covering here. Occasionally users want to create songbook-type documents having only lyrics with chord indications above them. Since LilyPond is a music typesetter, it is not recommended for documents that have no music notation in them. A better alternative is a word processor, text editor, or, for experienced users, a typesetter like GuitarTeX.
| Indicating position and barring | ||
| Indicating harmonics and dampened notes | ||
| Indicating power chords |
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| [ < Guitar ] | [ Plus haut: Guitar ] | [ Indicating harmonics and dampened notes > ] | ||
Indicating position and barring
This example demonstrates how to include guitar position and barring indications.
\clef "treble_8" b16 d g b e \textSpannerDown \override TextSpanner #'(bound-details left text) = #"XII " g16\startTextSpan b16 e g e b g\stopTextSpan e16 b g d
Voir aussi
Notation Reference: Indication textuelle avec extension.
Snippets: Fretted strings, Expressive marks.
| [ << Notation spécialisée ] | [Racine][Table des matières][Index][ ? ] | [ General input and output >> ] | ||
| [ < Indicating position and barring ] | [ Plus haut: Guitar ] | [ Indicating power chords > ] | ||
Indicating harmonics and dampened notes
Special note heads can be used to indicate dampened notes or harmonics. Harmonics are normally further explained with a text markup.
\relative c' {
\clef "treble_8"
\override Staff.NoteHead #'style = #'harmonic-mixed
d^\markup { \italic { \fontsize #-2 { "harm. 12" }}} <g b>1
}
Dampened notes (also called dead notes) are supported within normal and tablature staves:
music = \relative c' {
< a\3 \deadNote c\2 a'\1 >4
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
\deadNotesOn
\times 2/3 { g8 b e }
\deadNotesOff
< a,\3 c\2 e\1 >1
}
\new StaffGroup <<
\new Staff {
\clef "treble_8"
\music
}
\new TabStaff {
\music
}
>>
Another playing technique (especially used on electric guitars) is called palm mute. The string is hereby partly muted by the palm of the striking hand (hence the name). Lilypond supports the notation of palm mute-style notes by changing the note head to a triangle shape.
\new Voice { % Warning: explicit Voice instantiation is
% required to have palmMuteOff work properly
% when palmMuteOn comes at the beginning of
% the piece.
\relative c, {
\clef "G_8"
\palmMuteOn
e8^\markup { \musicglyph #"noteheads.u2do" = palm mute }
< e b' e > e
\palmMuteOff
e e \palmMute e e e |
e8 \palmMute { e e e } e e e e |
< \palmMute e b' e >8 \palmMute { e e e } < \palmMute e b' e >2
}
}
Voir aussi
Snippets: Fretted strings.
Notation Reference: Têtes de note spécifiques, Note head styles.
| [ << Notation spécialisée ] | [Racine][Table des matières][Index][ ? ] | [ General input and output >> ] | ||
| [ < Indicating harmonics and dampened notes ] | [ Plus haut: Guitar ] | [ Banjo > ] | ||
Indicating power chords
Power chords and their symbols can be engraved in chord mode or as chord constructs:
ChordsAndSymbols = {
\chordmode {
\powerChords
e,,1:1.5
a,,1:1.5.8
\set minimumFret = #8
c,1:1.5
f,1:1.5.8
}
\set minimumFret = #5
<a, e>1
<g d' g'>1
}
\score {
<<
\new ChordNames {
\ChordsAndSymbols
}
\new Staff {
\clef "treble_8"
\ChordsAndSymbols
}
\new TabStaff {
\ChordsAndSymbols
}
>>
}
Power chord symbols are automatically switched off as soon as one of the other common chord modifier is used:
mixedChords = \chordmode {
c,1
\powerChords
b,,1:1.5
fis,,1:1.5.8
g,,1:m
}
\score {
<<
\new ChordNames {
\mixedChords
}
\new Staff {
\clef "treble_8"
\mixedChords
}
\new TabStaff {
\mixedChords
}
>>
}
Voir aussi
Music Glossary: power chord.
Notation Reference: Extended and altered chords, Printing chord names.
Snippets: Fretted strings.
| [ << Notation spécialisée ] | [Racine][Table des matières][Index][ ? ] | [ General input and output >> ] | ||
| [ < Indicating harmonics and dampened notes ] | [ Plus haut: Guitar ] | [ Banjo > ] | ||